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Bill Parrish, media tycoon, loving father and still a human being, is about to celebrate his 65th birthday. One morning, he is contacted by the Inevitable - by hallucination, as he thinks. Later, Death itself enters his home and his life, personified in a man’s body: Joe Black has arrived. His intention was to take Bill with him, but accidentally, Joe’s former host and Bills beautiful daughter Susan have already met. Joe begins to develop certain interest in life on earth as well as in Susan, who has no clue who she’s flirting with.

Two young teens’ real selves are invisible to others, one due to his untimely death and the other due to the neglect she’s endured since the death of her mother.

Early in 1971, McGraw-Hill passes on Clifford Irving’s new novel. He’s desperate for money, so, against the backdrop of Nixon’s reelection calculations, Irving claims he has Howard Hughes’s cooperation to write Hughes’s autobiography. With the help of friend Dick Suskind, Irving does research, lucks into a manuscript written by a long-time Hughes associate, and plays on corporate greed. He’s quick-thinking and outrageously bold. Plus, he banks on Hughes’s reluctance to enter the public eye. At the same time, he’s trying to rebuild his marriage and deflect the allure of his one-time mistress, Nina Van Pallandt. Can he write a good book, take the money, and pull off the hoax?

Set in 1953, Katherine Watson (Roberts) is a free-spirited graduate of UCLA who accepts a teaching post at Wellesley College, a women-only school where the students are torn between the repressive mores of the time and their longing for intellectual freedom.

As a favor to his longtime lover Dr. Susan Silverman, Spenser agrees to investigate the stalking of a theater company director, pro bono. But before he can get started, an actor is killed by an arrow in the middle of a play. Now that there’s a real-life murder to investigate, Spenser and Hawk, get to do what they do best—even if it means death threats from the Chinese underworld, being ordered out of town by the tough local police chief (Eric Roberts), and dodging bullets and crossbows at every turn. By the time they leave the quaint ocean front community, the population has decreased by three, and live theater will never be the same.

Negli anni ‘50 erano stati allontanati dalla NASA per motivi politici ed oggi questi quattro anziani astronauti, ormai in pensione e con qualche acciacco, sono richiamati per una missione difficile: bisogna andare a rimettere in sesto l’Ikon, un vecchio satellite russo in orbita sopra la Terra, che si si è guastato e rischia di lasciare la Terra priva di collegamenti e telecomunicazioni. I nostri eroi sono i disegnatori di un vecchio sistema satellitare identico a quello russo e sarebbero i soli a poter affrontare l’emergenza. In pensione da tempo, sono richiamati al lavoro dal loro capo, Frank Corvin, un anziano astronauta, che conosce il satellite al punto da poterlo riparare. Così la squadra dei ‘nonnetti’ parte alla conquista di gloria e fama. La pensione e l’ospizio possono attendere.

Summer, 1975: in a tight blue-collar Boston neighborhood, three kids are playing when one is abducted and sexually abused for several days. Jump ahead: the victim, Dave, is haunted by memories and protective of his own son. Jimmy’s an ex-con, father of three. Sean is a homicide detective, estranged from his pregnant wife. When Jimmy’s teen daughter dies, Sean investigates, Dave’s a suspect, and Jimmy vows to find the killer before the cops. The dead girl has a boyfriend whose long-missing father has a history with Jimmy. The boyfriend’s a suspect, and when ballistics turns up a link to a gun owned by the young man’s father, the case breaks. In the background, wives move events along.