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Luke and Roger are just another couple of college guys trying to lose their virginity. But when Luke sees something unusual, he begins to suspect that the girls on campus aren’t exactly…human.

Catwoman is the story of shy, sensitive artist Patience Philips (Halle Berry), a woman who can’t seem to stop apologizing for her own existence. She works as a graphic designer for Hedare Beauty, a mammoth cosmetics company on the verge of releasing a revolutionary anti-aging product. When Patience inadvertently happens upon a dark secret her employer is hiding, she finds herself in the middle of a corporate conspiracy. What happens next changes Patience forever. In a mystical twist of fate, she is transformed into a woman with the strength, speed, agility and ultra-keen senses of a cat. With her newfound prowess and feline intuition, Patience becomes Catwoman, a sleek and stealthy creature balancing on the thin line between good and bad. Like any wildcat, she’s dangerous, elusive and untamed. Her adventures are complicated by a burgeoning relationship with Tom Lone (Benjamin Bratt), a cop who has fallen for Patience but cannot shake his fascination with the mysterious Catwoman, who appears to be responsible for a string of crime sprees plaguing the city.

Ricky is just out of a young offenders institute, heading home to Hackney and determined to go straight. Instead, he heads straight for trouble when he becomes involved in a street confrontation, siding with his best friend Wisdom against a local rude boy. The trouble escalates into a series of tit-for-tat incidents that threaten to spiral out of control. Ricky’s 12-year-old brother Curtis, hero-worships Ricky, though he appears smart enough to know he doesn’t want to follow his example. Yet, despite the stern warnings from his mother and support from her friends in the community, might Ricky’s bad boy allure be too attractive for Curtis to resist?

Qunicy Watson, after being unceremoniously dumped by his fiancée, pens a “how to” book on breaking up and becomes a best-selling author on the subject. Not wanting his male friends to suffer the same fate, he gives them advice on dumping their mates. A comedy of errors ensues.

In New York, the ambitious Dr. Jack Byron and his associate Gordon Mitchell present the research of his assistant Sam Rogers to the CEO and board of directors of a corporation to sponsor a scientific expedition to Borneo. The objective is to find a flower, Blood Orchid, that flourishes for a couple of weeks every seven years and could be a fountain of youth, prolonging the expectation of life of human beings. They are succeeded and once in Borneo, they realize that it is the raining season and there is no boat available to navigate on the river. They pay US$ 50,000.00 to convince Captain Bill Johnson and his partner Tran to sail to the location. After an accident in a waterfall, the survivors realize that a pack of anacondas have gathered for mating and their nest is nearby the plantation of Blood Orchid, which made them bigger and bigger.

Broken Lizard is surrounded by limber, wanton women on a booze-soaked island resort owned by Coconut Pete, a rock star has-been. But the non-stop party takes a turn for the weird when dead bodies start turning up. Everyone begins to look suspicious. Could it be Sam, of the Fun Police brigade, who is quick-on-the- trigger with his tequila loaded super-soaker; Jenny, the over-sexed, fitness instructor; Juan, the flamboyant diving instructor with a secret third-world past; Putman, the bratty-British tennis coach/fanatic; Dave, the ecstasy-crazed, adopted nephew of Coconut Pete; or the burly masseuse blessed with a creepy touch—that can render anyone into instant Jell-O? Can the inhabitants of Pleasure Island unite, solve the mystery and restore happy hour to this tropical bacchanal?

Two men wake up at opposite sides of a dirty, disused bathroom, chained by their ankles to pipes. Between them lies a dead man loosely clutching a hand-held tape player and a handgun. Each finds a tape the perfect fit for the player in their back pocket. They play the tapes. One is threatened, the other isn’t. But they have a task: One must kill the other by 6:00, or his wife and daughter will die. They find hacksaws in a toilet, and try to cut the chains, but it doesn’t work. They are the two newest victims of the Jigsaw Killer. In a flashback, we learn of Amanda, a girl who falls victim to the Jigsaw Killer. On her head is a mask, which is hooked into her lower jaw. There is a timer on it. Only one key will unlock it, and that key is in the digestive tract of her cell mate who lies paralyzed on the opposite side of the room. If she doesn’t unlock the mask in time, her lower jaw will be ripped wide open. She survives, but her cell mate doesn’t. Through a series of flashbacks, we learn of more victims, and of the nearly-successful capture of the Jigsaw Killer, who doesn’t actually kill his victims. Instead, he finds ways to make them kill either themselves, or each other, and he thinks the entire ‘game’ out perfectly, with no other ways out. Or so it would seem.

The Football Factory is more than just a study of the English obsession with football violence, its about men looking for armies to join, wars to fight and places to belong. A forgotten culture of Anglo Saxon males fed up with being told they’re not good enough and using thier fists as a drug they describe as being more potent than sex and drugs put together. Shot in documentery style with the energy and vibrancy of handheld, The Football Factory is frightingly real yet full of painful humour as the four characters extreme thoughts and actions unfold before us.

Alfie is a remake of the 1966 film. In the contemporary film, Alfie is quite the ladies man and rarely gets rejected when it comes to the opposite sex. He successfully has relations with multiple women without a hint of emotional attachment. A major (lifelong) problem arises when he sleeps with the wrong woman, namely his best friend’s (and future business partner) ex-girlfriend. As a result, his life slowly comes into focus and he begins to appreciate the little things he always missed in the opposite sex. A must see for all guys who call themselves “players”.

Marion (Valeria Bruni Tedeschi) and Gilles (Stéphane Freiss) are living their last minutes as a married couple. After having formalized their divorce, they will make love for the last time in a hotel, but the experience is rather traumatic for Marion, contributing to increase the crisis between them. From this point, the story, broken down in 5 episodes, will run backwards, telling us the couple’s married life, showing us their devoted love to their little son, but also how Gilles hurt Marion in several ways. Then, we see Marion’s labour at the hospital, with an indifference attitude from Gilles about the matter. The two last episodes, tell how was the wedding, the party and the wedding night, and finally, how Marion and Gilles met each other during a trip in the Italian coast.